
L'art s'offre-t'il ?
L’art n’est pas un objet comme les autres. Il ne sert pas à quelque chose de précis, ne répond pas à un besoin immédiat. Il existe pour être regardé, ressenti, vécu. Alors, peut-on vraiment offrir une œuvre d’art ?
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Although he initially pursued a career in engineering, Reivilo has always been connected to the art world, a passion passed on by his father who was a painter and sculptor.
The pandemic and the passage of time have prompted Reivilo to further explore her passion for creating art.
His production is expressed in multiple forms, from sculpture, ceramics, to photography, to chemical processes. The sea, marine plant and animal life, and human beauty, are his new exploratory worlds.

Léo Caillard, born in Paris in 1985, is a contemporary artist renowned for his exquisite marble sculptures and avant-garde digital creations. After graduating from the École des Gobelins in 2006 and then the Beaux-Arts in 2008, he perfected his artistic approach during a stay in New York.
There, he immersed himself in the contemporary art scene and began his first digital works. His art, characterised by a dialogue between the ancient and the modern, combines antique statues and abstract digital forms. In 2011, he made a name for himself with the digital series ‘Art Game’ and ‘Hipsters in Stone’, which revisit classical sculptures with anachronistic objects.
Since 2014, he has been perfecting his marble techniques and deepening his digital creations, affirming his unique style. His works are now exhibited in prestigious fairs and collections, such as Beaubourg, La Défense, and the Nasher Collection. Since 2018, Léo Caillard has established himself as a pioneer of the Blockchain era, combining physical art and digital art. He is listed among the 20 most influential contemporary artists according to ArtPrice.
The year 2024 marks a major milestone with large-scale public commissions for the Paris Olympic Games, collaborations with renowned brands, and the creation of a monumental 3.60-metre-high permanent work at La Défense, symbolising his commitment to public art.

L’art n’est pas un objet comme les autres. Il ne sert pas à quelque chose de précis, ne répond pas à un besoin immédiat. Il existe pour être regardé, ressenti, vécu. Alors, peut-on vraiment offrir une œuvre d’art ?
Voir plus...