In Incarnation, Éric Vanel once again manages to play with the contrast between the heaviness of bronze and the apparent lightness of the figure he sculpts. The woman, placed with natural ease on her supports, seems relaxed, almost floating, despite the inherent rigidity of the material. This feeling of lightness is accentuated by the detail of the hair, which seems to be caught in a breath of wind, as if the movement was still playing out in the air around her.
The hair in the wind, of remarkable finesse, is reminiscent of that of Goddess, another sculpture by Vanel, where the lightness of the forms also contrasts with the weight of bronze. This paradox between heavy matter and the light appearance of Incarnation invites us to reflect on the duality of the human body: both rooted in material reality and capable of rising, almost spiritually, beyond its physical constraints. The woman's posture, both relaxed and confident, illustrates this idea of embodiment: she embodies both the strength of the material and the lightness of the spirit.
Limited work signed by the artist.