Born in Paris in 1953, Sophie Verger discovered her artistic calling at a very early age. As a teenager, she attended the Académie de la Grande Chaumière and the École Montparnasse 80, before enrolling at the École Nissim de Camondo, then the Beaux-Arts de Paris, where she followed the classical teaching of the Favrat studio. Her encounter with the sculptor Étienne Martin confirmed her path.
For more than thirty years, Sophie Verger has been creating a profoundly unique body of work, in which animals become messengers of human emotions, sometimes tender, sometimes mischievous, but always powerfully evocative. Her sculpted bestiary is part of a tradition that is both archaic and contemporary, with influences ranging from medieval statuary to modern expressionism.
Throughout her series – Zoomorphic Virgins, Shields, Exploded Eggs, and Rhinoceroses – her work explores metamorphosis, humour, fragility, instinct, and the symbolic heritage of the animal world. Since the 1990s, she has exhibited in France and abroad: in Paris (Galerie Colette Dubois, Galerie Got, Galerie Lise Cormery), Belgium, the Netherlands, Germany, and more recently in the United States. She has participated in numerous artistic events (MAC Paris, Lineart Gand, Sculptures et Jardins in Lille, etc.) and has had several museum exhibitions, notably at the Musée Pompon.
Her works feature in numerous public and private collections in Europe and North America, and are regularly acquired by municipalities and museums (Lille Natural History Museum, Val d'Oise Archaeological Museum, Berck Museum, Pompon Museum, etc.).
Sophie Verger presents a poetic and powerful universe, where animals, somewhere between fantasy and humanity, become a mirror of an inner world that is both archaic and universal.
An AI artist with a sensitive look at the world, Sandra Fontenas' approach to generative art is instinctive and emotional.
While his work is strongly inspired by traditional photography and remains oriented towards realism, it is also infused with different atmospheres, whether ethereal, poetic, or cinematographic.
To successfully marry technology and emotions, the artist guides and shapes Generative Artificial Intelligence, like a material.
Digital technology is becoming its subject. She chooses, blends, and blends descriptions, keywords, iterations, and parameters until she gets the imagined shot.
Thus, if the photographer captures the present moment of a reality, Sandra the ia-graph captures a moment of her imagination, transcribed into reality by the image generated.
Dans un intérieur pensé avec exigence, chaque détail compte. Les matières, les volumes, la lumière… mais rien n’égale la présence d’une œuvre d’art.
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