Pia Loro, born in 1967 in Suresnes, grew up in an artistic environment, influenced by her plastic artist mother and her watercolorist grandfather. graduated in interior architecture at the applied arts Olivier de Serres and then at Arts Décos/Paris, she evolves between drawing, artistic education and creation.
After co-founding Manolo Pictures with her photographer husband, she pursues personal projects, including travel diaries and abstract works in duo with Manolo. Today, she continues to paint, draw, and teach, despite a divide that forced her to relearn to draw with her left hand.
Laëtitia is the common thread between reality and its interpretation, absorbs emotions to generate works that carry messages. Hypersensitive and introverted, she is extroverted on the web, using her art as a mode of expression, a therapy, a real breath. His creations are breath of life, testifying to his vibrant existence.
After exploring the ballpoint pen, she continued with the unusual using thumbtacks as a medium. The latter create a vaporous pointillism, reinforced by the strict graphics of felt on Plexiglas. The originality of his works never overshadows the powerful message they convey, engaging the viewer in an intense face-to-face encounter.
Its poetic realism is built by an economy of means and great precision, dealing with multiple emotional facets through new agreements. Laëtitia Vernieux's collections are living proof of her existence and her artistic passion.
L’art n’est pas un objet comme les autres. Il ne sert pas à quelque chose de précis, ne répond pas à un besoin immédiat. Il existe pour être regardé, ressenti, vécu. Alors, peut-on vraiment offrir une œuvre d’art ?
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